AOL Radio is powered by humans! Great radio is all about unexpected connections--the kind that an algorithm can't predict. Pick any station in any of the 30 genres. Synopsis, full credits, production details, technical specifications, quotations, trivia, reviews, soundtrack information, box office data, photographs, message board. Synopsis, cast and crew information, user reviews, and message board. Black girls sucking white dick in a gloryhole. The only site featuring black girls sucking anonymous white cock. A summary of Autumn: Chapter 2 in Toni Morrison's The Bluest Eye. Learn exactly what happened in this chapter, scene, or section of The Bluest Eye and what it means. Autumn: A Novel (9. Ali Smith: Books“Autumn is about a long platonic friendship between an elderly man and a much younger woman. His name is Daniel. Her name is Elisabeth. She’s a 3. 2- year- old fitfully employed art lecturer at an unnamed university in London. She comes to read to, and be with, him. There’s a bit of a Harold and Maude thing going on here. ![]() As Elisabeth and Daniel talk, and as Elisabeth processes the events of her life, a world opens. Autumn begins to be about 1. It’s about poverty and bureaucracy and sex and morality and music. It includes a long and potent detour into the tragic life and powerful painting of the British Pop artist Pauline Boty (1. Smith makes plain, should be better known. This is the place to come out and say it: Ali Smith has a beautiful mind. I found this book to be unbearably moving in its playful, strange, soulful assessment of what it means to be alive at a somber time. Smith is Scottish, and she’s written plays and journalism in addition to many novels and books of stories. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone. ![]() ![]() I’ve not read all of them, though I will. I have no early quibble with the novelist Sebastian Barry’s comment that she may be . This form is perfect for Smith, because her mind will go where it wants to go. And where her mind goes, you want to follow. I suspect that this shrewd and dreamy, serious- but- not- solemn novel will be an uncommonly good audiobook, for people who are into that sort of thing. Spring can really hang you up the most, but for now I am struck by, and stuck on, Autumn.”—Dwight Garner, The New York Times“. Their extraordinary friendship forms the moral center of this beautiful, subtle work, the seventh novel by Smith, who consistently produces some of Britain’s most exciting, ambitious and moving writing. Smith teases out big ideas so slyly and lightly that you can miss how artfully she goes about it. Smith’s writing is fearless and nonlinear, exploring the connectivity of things: between the living and the dead, the past and the present, art and life. She conveys time almost as it if is happening all at once, like Picasso trying to record an image from every angle simultaneously. Smith’s writing is light and playful, deceptively simple, skipping along like a stone on the surface of a lake, brimming with humanity and bending, despite everything, toward hope. The best parts in Autumn, the most moving parts, the transcendent parts, come during Elisabeth and Daniel’s conversations about words, art, life, books, the imagination, how to observe, how to be. Theirs is a conversation that begins mid- paragraph and never ends.” —Sarah Lyall, The New York Times Book Review“’All across the country, people felt it was the wrong thing. All across the country, people felt it was the right thing. All across the country, people felt they’d really lost. All across the country, people felt they’d really won.’ That might sound like present- second America, but it’s actually Scottish novelist Ali Smith—with a leg up from Dickens—describing post- Brexit Britain in Autumn, the first of a planned quartet of season- based novels. Smith is well known for taking an elastic approach to words. Here, she extends that courtesy to time itself. Layered, resonant, and wittily clever, Autumn confirms that Smith is a novelist for our time—. Like any successful novel of ideas, Autumn doesn’t end; it reverberates in one’s bones, recalling Eugenio Montale’s argument in The Second Life of Art, that the power of a book, painting, dance, or any art form is not a culminating catharsis but a recurring echo. Thus Smith’s autumnal leaves cling to trees as the questions and quandaries linger. Autumn shimmers with wit, melancholy, grief, joy, wisdom, small acts of love and, always, wonder at the seasons.”—Valerie Miner, The Boston Globe“If authors can be seasonal, then Scottish writer Ali Smith is, to my mind, a summer novelist. Her fiction, even when it depicts upsetting events, has an Arcadian atmosphere reminiscent of As You Like It, as if her characters were wandering through a green glade on a sunny day. Psychological complexity is not a hallmark of Smith’s work, but its buoyancy and charm more than make up for that. In Britain, Smith has won the Whitbread, the Goldsmiths, and the Costa prizes, and has been shortlisted for the Man Booker three times. American readers ought to be better acquainted with her genius. Smith knows how to tease the glory out of the most plainspoken English. Smith’s literary spirit is essentially playful, and in Autumn it finds its counterpart in a little- known (but real) painter of the Pop Art period, Pauline Boty. Boty was beautiful and fearless, a free spirit who dabbling in acting and, as Elisabeth sees it, had the rare ability to represent female pleasure and joy on canvas. You can see why Smith thinks of the painter as a kindred spirit. Autumn’s most daring formal move is to attempt the immediacy of journalism, depicting the national mood while the nation is still feeling it. At first Smith’s choice to start with autumn seemed out of character, but of course that means that this ambitious four- novel sequence will end with summer and Smith in her element. If we are all very lucky, perhaps the world will catch up with her there, too.”—Laura Miller, Slate“The stunning Autumn is the first of a projected quartet of seasonal novels by Scottish author Ali Smith. Set in the factional, jingoistic post- Brexit United Kingdom—where . If fall is the twilight of the year, what will Smith's long cold winter bring—and better yet, her spring and summer? A triumphant story of a May- December friendship within a divided Britain.”—Bruce Jacobs, Shelf Awareness“What kind of art will come out of this moment? If Ali Smith’s Autumn is a harbinger of things to come, the work that emerges over the next decade will be extraordinarily rich. The novel, the first book in a quartet inspired by the seasons, considers post- Brexit Britain at the tail end of last summer, experienced through the perspective of a 3. Elisabeth. But its ambition and craft allude to—and cite—great works of literature, from Brave New World to The Tempest. Through Smith’s dazzling, whimsical feats of imagination, a news cycle described by Elisabeth as . As the novel proceeds, she layers together fragments of books and paintings and song lyrics in an act of literary decoupage, as if to mimic the fragile patchwork of national identity. The work Autumn seems most indebted to is T. S. Eliot’s Four Quartets, poems that are also structured loosely around the seasons, and in which nature has a symbolic power. Eliot, like Smith, considers time as a flexible entity, with memory a guiding force that allows people to find divine meaning in the universe. And Four Quartets, like Autumn, was written amid great national turmoil, during World War Two. But Smith has a kind of irrepressible sense of joy that peeks out through the darkness. Smith, in reckoning with the catastrophe and wreckage of a fraught historical moment, picks through it just as precisely to reveal the beauty and the humanity buried deep below the surface.”—Sophie Gilbert, The Atlantic“The first of a projected quartet, Autumn hovers around the season of harvest and final things, but the possibility of transformation is also very much in the air. A novel that, under all its erudition, narrative antics, wit and wordplay, is a wonder of deep and accommodating compassion.”—Ellen Akins, The Washington Post “Smith’s novel plays an intimate melody against a broader dissonance, probing the friendship between an art historian and an aging songwriter as they grapple with personal predicaments and a perilous world.” —O, The Oprah Magazine. Salinger's natural heir? It's not as preposterous as it sounds. Not since Salinger's plucky English orphan, Esm. Autumn again knits together an astonishing array of seemingly disparate subjects, including mortality, unconventional love, Shakespeare's Tempest, a rhyming advertisement jingle, and the xenophobia underlying both Nazism and current populist neo- nationalism. Smith is better at making tight connections than most airlines. Free spirits and the lifeforce of art—along with kindness, hope, and a readiness 'to be above and beyond the foul even when we're up to our eyes in it'—are, when you get down to it, what Smith champions in this stirring novel. For a book about decline and disintegration, Autumn remains irrepressibly hopeful about life, something . A Scot now residing in London, she doesn’t write . She is too subtle for that, but her work is clearly responsive to social and political issues. Indeed, the fact of the referendum, the emotions it raised, and the sense of ending—or beginning—that accompanied the vote run at times as a litany, lists of hopes or complaints, in a recitation of divisive uncertainty. What is certain is, as the title asserts, that a cycle is unfolding: winter seems to lie ahead. But the novel has aspects that subvert that fear. The surprises abound in the novel, but the mood is balanced, reflective, mature. The prose styles vary, structure reflecting the hectic turns of public feeling, the abrupt shifts in time and mood. Smith’s prose is seductively simple, beguiling, its effects hard- won.”—Edward T. Wheeler, Commonweal“. Autumn is another breathless feat. It engages acutely and beautifully with topical concerns and perennial issues. Smith muses on art, literature and memory, plus the transience of life and the horror of Brexit. Some of her meditations are imbued with autumnal tones and textures (melancholy, regret, nostalgia); others are flecked with wit. As ever, Smith regales us with endless wordplay. Smith's most substantial components speak volumes with poetic intensity and lucidity about an enduring companionship, a fractured Great Britain, the tragedy of aging and the cyclical nature of time. Autumn is the first installment of Smith's .
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